Once a Dancer, Always a Dancer

Even though I was trained as a ballet dancer, I feel as though I hide it pretty well in the “real world.” I am not ballerina thin, I do not have striking turn out that comes through in my stride, I don’t always wear my hair in a perfect ballet bun, and I never go to a general education class with a leotard or tights showing. So you could imagine my surprise when today, as I gave a tour of my college campus, four different families asked me if I was a dancer.

Of course I replied yes, but after the first two families I was still bewildered at why that had been brought up. Had I accidentally left on my tights from ballet? Had I not taken my hair out of a bun? Then, the third family to comment gave it away. As I stood, waiting for the other tour guide to give away facts on the School of the Arts, a mom looked at me and said, “Lovely fifth position.”

I quickly looked down to find my feet in fifth position as if I were at the barre waiting to complete a tendu combination. My face immediately turned red and all I could help to think was “how often do I stand like this?” I thought it pretty funny, even though ballet isn’t my main studied discipline anymore, it still sticks with me. It kind of warmed my heart a little actually, knowing that something so important to me as a little girl stuck with me in college. A hobby that served as my home for all of those years has snuck its way into my college life to teach me that I can never forget my roots. I will be the first to judge a ballerina or a little girl fantasizing of being the Sugarplum Fairy, when in reality I was the biggest bunhead you could think of for at least 19 years.

We All Have Our Ways

I love this video created by the Australian Ballet. The dancers give us a peak into what their different rituals and techniques to make their pointe shoes work best for them. This is so revealing to every aspect of dance to me because beyond pointe shoes, we all have certain things that we do our way.

Growing up I can remember one of my friends always did her bun in a very particular way so that it always looked the same. She wanted to make sure that this element of her was flawless and could be one less thing that she would have to worry about, whereas I threw my hair up at the last minute after making sure that all of my costume pieces were in order. Another friend would have all of her pointe shoes during performance week lined up in a row and ready to go so that when one pair broke, she could quickly jump into a new pair.

We all have our different quirks and ways of doing things because after all, dance is about the self.

There is a World Beyond Ballet

Before I came to college my life was filled with classical pieces composed by Tchaichovsky, Bach, and others of the kind. My wardrobe consisted of tutus, pointe shoes, hairnets and bobby pins. I never challenged myself to see anything different and any work that I saw that strayed from my classical mold I considered to be strange or a poor performance.

My first year as a dance major was extremely difficult because I was challenged to see dance in an entirely new light. Yes ballet is a large part of the dance community, but it isn’t everything and that is something that I could not grasp. As I practiced Humphrey falls and C-curves all that I longed for was a ballet barre and a pirouette. Then, during my sophomore year I was required to take a choreography class and from that moment everything changed.

We had one particular exercise during the course where we were told to walk around the Arts Center and find five people’s gestures and to bring them back to the classroom. I chose a woman reading a book, a man talking with his hands, another texting, a woman talking on the phone, and a man grabbing a drink of water at the water fountain. I hated this exercise so much when I was doing it because I just knew that my professor was going to make us report them to the class and then try to create a movement phrase.

“You cannot make a dance from this,” I thought to myself as I showed the different gestures that I had seen. Then, my professor said, “Carly do all of your phrases in a different level than what you found them and make them tell a story.” I was at a loss of what to do, I had been placed in the hot seat. So, I closed my eyes and took a deep breath and began to do the movements in different ways to get this story across.

What I discovered that day was something beautiful that I cannot explain. I’ve always said that I dance for self expression but I never truly felt it until that moment. I close my eyes and I dance what I feel or what I want to get across. Whether that is doing a technically challenging combination or a sequence of gestures, I dance to express myself.

18 Things Every Dance Choreographer Knows To Be True

So very accurate

Thought Catalog

1. No matter how many times you review your choreography notes, when it comes time to teach them at rehearsal, you’ll have no idea what you’ve written down.

2. You kind of hate jazz squares but sometimes can’t help sneaking them into routines.

3. While teaching a routine, you start out with proper counts, but usually dissipate into a series of “duh duh duh bum bum BUM”s.

4. When you say “once more with me and then I’ll watch you”, it usually means you’re doing the combination at least three more times.

5. Grapevines can be deadly traps.

6. It’s possible to practice a dance in your head without anyone knowing what you’re doing.

7. Sometimes you have no other choice but to label a move in your notes as “the greased lightning.” It happens.

8. When you’re asked, “how do you get out of this step?” it is absolutely…

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An Introduction to the World of Ballet

Tombe pas de bouree glissade sout de chat. To some of you these words may sound like a foreign language or a bunch of jibberish, but to ballerinas these words are no more than a simple 8-count combination that will move them across the floor.

Don’t let the elegant language of ballet, the sparkly pink tutus, or the delicate ballerinas fool you – dance is brutal. But, What is dance? It is defined as ‘moving rhythmically to music, typically following a set sequence of steps.’ And its generally considered a performing art, but what does that make a dancer? Are we artists… a painter might disagree. Are we athletes? A football player may not agree either.

I believe, or I know rather, that we are both. Because just as a painter expresses their emotions onto the canvas, I do onto the stage. Just as the football player fights through the practices to get a win against the opposing team, I fight through rehearsals to get a win against myself, pushing my body to higher limits everyday. Why are some people so quick to judge and claim that we are not athletes and dance is not our sport?

Dance is one of those things that is underestimated and often overlooked, but as a dance major I can guarantee that dance isn’t all about tutus and pirouettes. To be a dancer takes a lot of determination and training, sacrifice and perseverance, and often dealing with controversies and stereotypes.

Nearly every little girl wants to be a ballerina princess; it’s the perfect job isn’t it? You get to wear all pink, douse yourself in glitter, and even put on real makeup when you go on stage. However, not all of these young princesses will go on to be a dancer for the rest of their lives – it isn’t for everybody. After the age of 4 or 5, the real world of ballet begins so that the child can become a well developed and mature dancer. For instance, I began my ballet training at the age of 3 by taking pre-ballet where I learned how to control my body to the rhythm of the music, but when I was just 6 years old I began taking more constructed twice a week – and I was no longer getting instructions like walk on your tippy toes or do a ballerina turn. My teacher instructed us to walk on releve and perform soutenus because studies suggest that young minds are more adept to learning new languages and ballet is definitely a language.

In an issue of Dance Magazine the question was brought up: Is there an Ideal age for starting ballet? Damara Bennett, director of the School of Oregon Ballet Theatre, states that they begin pre-ballet at age 4 and full ballet training around the age of 6 because starting early has the advantage of cultivating long lines and strong technique. A New York City Principal dancer states that the younger the better because “Ballet involves a lot of small muscles in addition to major muscle groups, and it can take years to learn them.” Bennett claims that it takes 12 years to train a dancer before they are company ready, which means that in order to have a professional career in dance, more training should be done than nearly any other sport or art form.

Deciding to make dance a lifelong career definitely has its ups and downs. Generally you choose dance as a career because it is your passion and something you have always known but with that comes little pay, harsh criticism, and injuries. According to an article in Examiner magazine, the average salary of professional ballerina was roughly 59,000 a year. Although, that was the average so if the dancer is an Apprentice or entry-level company member they can receive as low as 22,000 depending on company of hire and location. Big name companies such as New York City Ballet and American Ballet Theatre are going to be able to pay their dancers much more. For instance, in 2005 principal dancer Julie Kent of American Ballet Theatre receives 171,000 a year according to NY magazines Salary Guide; however reaching that level at such a large company has lesser probabilities than a smaller company, but not every dancer will go on to be a professional.Your child may wish to be a teacher, choreographer, artistic director, or even a higher ed teacher… however it is highly likely that at some point your child may get injured.

As I am going on my 17th year of dance I have suffered from multiple stress fractures, bone contusions, sprains, shin splints, fractures, pulled muscles, a sesamoidectomy…in fact it got to the point where I had a set of crutches and a boot in my closet back home that were used at least once a dance season.

This is because, dance is a very taxing activity or sport and rehearsing for up to 10 hours a day sometimes parts of the body…especially the feet are bound to take a beating. According to a research article on bone stress injury in professional ballet dancers, a reported nine of eleven claimed to experience mild ankle pain during activity; 5 of which reported some pain at rest. Another study found in the British Journal of Sports Medicine studied 3 pre-professional ballet schools and found that out of the 266 participants, 373 injuries were recorded by 203 of the dancers. This isn’t to say that dance is irresponsible or life threatening; it is just very demanding and can cause physical injuries.

Injuries and long rehearsal hours aren’t the only thing that us dancers have to face, but we also have many stereotypes and controversies that we must put up with. The most common assumption is that all dancers should be thin, which can persuade an average dancer to induce disordered eating habits in order to match the stereotype.  In an article from the International Journal of Eating Disorders, eating disorders have been found to be 3 to 6 times higher among ballet dancers than in the general population. The article also states that disordered eating habits have been documented in many other types of athletes and that such behaviors are thought to be motivated by intense training regimens and the perception that lower weights will enhance the athletic performance. We know that it isn’t necessarily true, and as dance is becoming a more popular part of American culture thanks to the media, awareness for dancer safety is becoming more popular.

The knowledge of ballet in the media can be helping the dance world, but it can also be hurting it as shows such as Dancing With The Stars, So You Think You Can Dance, and Dance Moms are growing and promoting one thing: competitions. There are several competitions that are strictly ballet based such as the American Grand Prix, but they are not the ones being advertised. The main problem with competitions are that they are over-dominating on the athletic side of dance by turning it into a technically scored sport and no longer a self expression through movement. Janice LaPointe-Crump states in an article “Artistic intention and expression are destroyed when dancers prepare tricks and a kitsch routine to win prizes. “ As the media begins to publicize the glitzy world of dance competitions, ballerinas are going to be challenged with the dilemma of coming out and speaking that they can still be dance athletes too.”

I hope that all of this didn’t scare you or force you to never sign up for another dance class again, because yes ballet can be scary or dangerous but it can also be powerful and amazing. Dancers work hard for what they love and devote so much of their time, their heart, and their bodies to the craft. We learn another language, spend more hours in a studio than in our homes, live on a low pay, fight through chronic injuries, and face all of the stereotypes just so that we can turn all of those emotions in to more movement. So, the next time your child comes up to you and says that they want to be a ballerina, encourage it. My mother did, even at times when I thought that was no longer my dream and because of that I have grown into the strong athlete that I am.

10 Things That Dance Majors Are Tired Of Hearing

In college you are bound to be put in the situation where somebody asks you, “What is your major?” For some people that is a time to boast, others a time to say what they are interested in, and for dancers to ultimately get annoyed.

I went around the dance department at my university and asked some of the other dance majors what they were tired of hearing whenever somebody finds out that they are a dance major.

 

“I’m a dance major.”

1. “How fun!”

Staying in a rehearsal for over 5 hours a day is just so amusing.

 

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2. “I took ballet when I was little!”

Congratulations…so did everyone else.

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3. “Do something right now!”

…I will not do a pirouette for you in the library

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4. “I wish I just got to dance around for my major.”

Yes, because i’m sure you can do this all day.

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5. “What are you going to do with that?”

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6. “Do you use books?

You do realize that we have other required courses that aren’t technique, don’t you?

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7. “How flexible are you?”

Please, you should ask me how advanced my technique is. Dance isn’t all about tricks.

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8. “Can you do those turny things?”

Which ones? Fouettes, pirrouettes, chaines?

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9. “Do you have all A’s?”

An A is perfection, and nobody is perfection.

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10. “I wish my major was that easy.”

…biggest. insult. ever.

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Even though dancing may look like a lot of fun and it may seem easy, just remember that there is a reason why we train for as long as we do. We have worked for the majority of our lives to make dance seem effortless. As dance majors we don’t mind the amounts of work or the late nights as much because this is something we care for and are passionate about. However, we do mind the looks and comments that we get because we don’t have a “real major.”